The Nigerian film industry, Nollywood, has lost one of its brightest stars. Alexx Ekubo, the actor and model whose charm and versatility defined a generation of African cinema, has died suddenly at the age of 40. The cause of death has not been confirmed, but a statement from his family described the loss as devasting and requested privacy during this difficult time.
Ekubo rose to fame with his debut in the 2010 film *A Private Sin*, but his breakthrough came with the 2014 romantic comedy *I'm Not the One*, where his portrayal of a conflicted lover earned him widespread acclaim. Over the next decade, he became one of Nollywood’s most bankable stars, appearing in over 50 films, including *The Wedding Party 2*, *It’s About Your Husband*, and *Silent Prejudice*. His ability to oscillate between comedy and drama made him a favourite among filmmakers and audiences alike.
Beyond his on-screen presence, Ekubo was a vocal advocate for mental health awareness in Nigeria, a topic often stigmatised in the country. In interviews, he spoke candidly about the pressures of fame and the importance of seeking help. He also used his platform to challenge industry norms, calling for better working conditions and fairer pay for actors. His courage to speak truth to power earned him both admiration and criticism, but he never wavered.
News of his passing has sent shockwaves across social media, with fans, celebrities, and politicians paying tribute. The Nigerian President described Ekubo as a “cultural icon who captured the spirit of a new Nigeria”. Nollywood veteran Genevieve Nnaji posted: “The light has gone out too soon. Rest well, my friend. You left us too early.”
Ekubo’s legacy, however, is not just in the films he made but in the narratives he helped shift. He was part of a generation of Nollywood actors who broke free from typecasting and brought nuance to African storytelling. His characters were not merely stereotypes but reflections of a modern, complex, and aspirational society. As we grapple with this sudden loss, one thing is certain: the algorithm of fame is fickle, but Ekubo’s place in cinema history is secured. We will remember him not just for his roles but for his humanity.
This is a developing story. More details will follow as they emerge.
